A lot of my humor centers on the act of telling jokes and I think this can prevent certain audiences from suspending their feeling of disbelief. It might piss a few people off but I can't help it.

I think it's because it's so different and it takes risks. Plus it's really smart humor. It gives the audience credit in terms of not needing to tell them when to laugh. I love that about the show. There's no laugh track.

Bathroom humor fart and poo poo humor in movies gets a laugh. It's a pretty easy audience and that's been around for ages.

Since the goal of my programs is to show audiences how humor can both help them heal as well as deal with not-so-funny stuff I decided to discuss the events of the previous week the pain all of us were feeling and how humor and some laughter might be beneficial.

Whether it's viewers of the show or readers of my columns and books I'm consistently impressed with their wit humor and insight. That goes for about 95 percent of the audience. The other five percent are why the 'Delete' option and restraining orders were invented.

You learn timing on the road. You learn structure and how to read an audience. You learn so much about the business of laughter that you can't learn on a set because it's all on you. Sometimes you bomb and you know not to tell that joke again... You just hope people find the humor in the awkwardness.

I hope that just what I sing about and how I relate to my audience is as much of a political statement as I need to make.

I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then y'know that's great. But I hope it involves an audience.

No matter how dark things may get in a story I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.

Confronting a stadium audience you can't see the whites of their eyes. It's just an amorphous mass of noise and of course you can't see the alleged billions watching at home either so the degree to which you are intimidated is quite low.

You come to work and you laugh all day you go home and you feel light and there's a certain feeling when you're sitting with the audience and they leave after 90 minutes and it's just pure escapism and they're happy.

Drama can feel like therapy whereas comedy feels like there's been a pressure and a weight lifted off of you. You come to work and you laugh all day you go home and you feel light and there's a certain feeling when you're sitting with the audience and they leave after 90 minutes and it's just pure escapism and they're happy.

Stand-up is like a movie every night. You write it direct it produce it the audience votes and you go home. There's nothing more satisfying.

The appreciative smile the chuckle the soundless mirth so important to the success of comedy cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.

The audiences are there as a result of my history with the band but also as a result of my being able to reach people with a tune.

My face has changed with the years and has enough history in it to give audiences something to work with.

Minimalism seems closest to the sophisticated storytelling of movies. Movies have really educated contemporary audiences to be the most intelligent sophisticated audiences in history. We don't any longer need to have the relationship between one scene and the next explained. We will figure it out ourselves.

I don't think actors should ever expect to get a role because the disappointment is too great. You've got to think of things as an opportunity. An audition's an opportunity to have an audience.

To have great poets there must be great audiences.

If it's a good movie the sound could go off and the audience would still have a perfectly clear idea of what was going on.

When I told the people of Northern Ireland that I was an atheist a woman in the audience stood up and said 'Yes but is it the God of the Catholics or the God of the Protestants in whom you don't believe?

God is a comedian playing to an audience too afraid to laugh.

During the Great Depression when people laughed their worries disappeared. Audiences loved these funny men. I decided to become one.

Johnny Rotten. He's a big fan of mine. I used to see him out in the audience in England and he'd stand up and holler. He's funny. Smart too and a nice guy. Don't think he's a jerk because he isn't.

I think I would say 'The King's Speech' is surprisingly funny in fact the audiences in London Toronto LA New York commented there's more laughter in this film than in most comedies while it is also a moving tear-jerker with an uplifting ending.

The American audience has really opened up to women being A.) funny and B.) kinda crude. 'Bridesmaids' is R-rated and I think it was a major coup for women to have an R-rated comedy that did really well. Same as 'Bad Teacher.'

I tend to play characters that I can infuse with certain kinds of humour. Even the baddest guy can be funny in his own particular way. I want the audience to engage with the character on some deeper level so that they leave the cinema still thinking about him.

The audience changes every night. You're the same person. You have to speak your mind and do the stuff that you think is funny and makes you laugh.

When I first envisioned 'Funny Games' in the mid-1990s it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema its violence its naivety the way American cinema toys with human beings. In many American films violence is made consumable.

'Funny Games' was conceived as a provocation. My other films are different. If people feel my other films are or respond to them as provocation then that's quite different. 'Funny Games' is the only one of mine where my intention was to provoke the audience.