I find it strange the way human nature wants heroes and yet wants to destroy their heroes. It's a kind of mass insecurity people want something to look up to and get a buzz off but at the same time want to destroy it because it makes them feel insecure.

In nature we never see anything isolated but everything in connection with something else which is before it beside it under it and over it.

Occasionally I have come across a last patch of snow on top of a mountain in late May or June. There's something very powerful about finding snow in summer.

In all things of nature there is something of the marvelous.

Our music's kind of about taking something ugly and making it beautiful.

I think maybe because of the kind of music I sing people want to believe you're a diva. They can't believe after eight years and eight albums you're still relatively sane. I feel like they almost want me to throw something at somebody.

When I moved to New York I fell head over heels back into country music and probably 'cause I missed something about Texas.

Nobody was listening when I learned how to play music. But there's something about being on stage talking to the audience looking at them and smiling that's always been difficult for me. I'm a lot more comfortable now but there are still moments of awkwardness.

You listen to a piece of music and it will remind you of something - it might make you happy it might make you sad but it is very emotive. And I think that Duran Duran have always understood that.

Music is a language and different people who come along are each using that language to do something different but all coming at it in a similar vein inasmuch as it's always community based and for the most part nonprofit. Most bands don't ever come within a mile of profit - clearly these people are not playing music to make money.

Also because people like to multitask in a way if you've got a bit of music on in the background and the lyrical content is making you want to listen to it then that would probably put you off the texting you wanted to do. I think people like things that just make that right kind of noise but leave your brain free to do something else.

I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.

Music's been around a long time and there's going to be music long after Ray Charles is dead. I just want to make my mark leave something musically good behind. If it's a big record that's the frosting on the cake but music's the main meal.

I don't read music. I don't write it. So I wander around on the guitar until something starts to present itself.

Half the time I feel like I'm appealing to the downer freaks out there. We start to play one downer record after another until I begin to get down myself. Give me something from 1960 or something let me get up again. The music of today is for downer freaks and I'm an upper.

I felt that the elegance of pop music was that it was reflective: we were holding up a mirror to our audience and reflecting them philosophically and spiritually rather than just reflecting society or something called 'rock and roll.'

When people hear good music it makes them homesick for something they never had and never will have.

There's something missing in the music industry today... and it's music. Songs you hear don't last it's just product fed to you by the industry.

I've spent hours and hours doing research into Appalachian folk music. My grandfather was a fiddler. There is something very immediate very simple and emotional about that music.

In our music in our everyday life there are so many negative things. Why not have something positive and stamp it with blackness?

I think that a song when it works never mind a piece of long form music even a song is something that speaks to itself but has a language all of its own ideally.

Music is really something that makes people whole.

There's something about music that encourages people to want to know more about the person that made it and where it was recorded what year it was done what they were listening to and all this kind of stuff. There's something that invites all this obsessive behavior.

I maintain that when I finally retire from my career in music I will go and live back in Wales - when I am an old person if I live to be an old person. The water I miss and the air there's something different about it. And I miss the simple life.

I'd like a male to listen to my music and find it kind of fascinating what a girl goes through when they get heartbroken or get sad or get hurt by something.

I dabbled in things like Howlin' Wolf Cream and Led Zeppelin but when I heard Son House and Robert Johnson it blew my mind. It was something I'd been missing my whole life. That music made me discard everything else and just get down to the soul and honesty of the blues.

I like to comprehend more or less everything around me - apart from the creation of my music. It's an obsessive character trait that's getting worse. I don't switch the light on and off 15 times before I leave the room yet but something's going wrong.

That was a time when I did love music I couldn't get enough of what was going on. Maybe it was Nirvana that brought me back. I guess it was a comfort because something that sounded so right - and non-commercial - had become so influential so immediately.

We're five people five individuals who came together to create something to make music and to complete each other musically to form a perfect circle.

I get mad. I get sad. I have all those emotions. But I just like to keep them to myself. I don't think my fans need to be bothered with if I'm mad or sad about something. I should just be concerned that they are keeping up with my music or I'm making them happy with my show.